
Every week, Malaysian SMEs pull a photo from Google, drop a trending song into a Reel or copy a supplier’s product description onto their website. Most hear nothing. Some get a takedown, a lawyer’s letter or a disabled ad account, usually mid-campaign.
The rules come from one law: the Copyright Act 1987 (Act 332). This guide explains it strictly from a marketer’s seat. You will learn what the Act protects, who owns content you pay for, how far fair dealing really goes, what you can safely reuse online, and what happens if you get it wrong. It comes from ZenWeb, a Malaysian Google Partner agency with 500+ clients that produces websites, ads and content every day.
This post is general information, not legal advice. Please confirm your own situation with a lawyer who practises intellectual property law.
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Fair dealing is the idea that trips most marketers up. This short explainer covers the general concept before we look at how Malaysia’s version applies to ads and websites.
Source video: RRC Library on YouTube. A general explainer from a Canadian college; Malaysia's fair dealing rules differ in detail, as set out below.
Quick Answer: The Copyright Act 1987 protects literary, musical and artistic works, films, sound recordings and broadcasts. That covers almost every marketing asset: copy, photos, logos, videos and jingles. Protection is automatic once the work is original and in material form. Ideas, methods and concepts on their own are not protected.
Section 7 of the Copyright Act 1987 (Act 332), published by MyIPO sets three tests that matter to marketers:
No registration is required. MyIPO does offer a voluntary notification under section 26A, which helps as evidence; our guide to copyright voluntary notification in Malaysia covers when it is worth doing.
| Marketing asset | Work type under the Act | How long protection lasts |
|---|---|---|
| Website copy, blog posts, ad text | Literary work | Author’s life + 50 years (s17) |
| Photos, logos, illustrations, banners | Artistic work | Author’s life + 50 years (s17) |
| Jingles and song compositions | Musical work | Author’s life + 50 years (s17) |
| Recorded tracks and voice-overs | Sound recording | 50 years from first publication (s19) |
| Video ads, Reels, TikToks | Film | 50 years from first publication (s22) |
| Typeset e-books and brochures | Published edition | 50 years from first publication (s18) |
Source: ZenWeb mapping of sections 7 and 17 to 22 of the Copyright Act 1987, MyIPO updated text, as at October 2026. Durations run from the start of the calendar year after the relevant event where the Act says so. Licence.
Quick Answer: Under section 26(2), copyright in work you commission, or that staff create in the course of employment, is deemed transferred to you, unless an agreement excludes or limits that transfer. Freelancer and agency contracts often do exactly that, so the contract decides who really owns your logo, photos and videos.
The default sounds generous to businesses, but it is fragile in practice:
Our guide on who owns your logo and ad creatives goes deeper on contract wording. Ownership also matters before you file a trademark, because the logo you register must be yours; see trademark registration in Malaysia.
Quick Answer: Rarely. Section 13(2)(a) allows fair dealing for purposes such as research, private study, criticism, review and news reporting, with credit to the title and author. Section 13(2A) then weighs whether the use is commercial. A product ad using someone else’s photo is commercial and promotional, so it usually fails.
Section 13(2A) lists four factors a court must consider:
Marketing almost always scores badly on factors one and four. Malaysia also has no US-style “fair use” doctrine, so arguments copied from American YouTube videos do not carry over. The chart below is our illustrative reading of how common uses sit against those factors.
| Marketing use | Risk score | Relative risk |
|---|---|---|
| Short credited quote in a genuine product review blog | 2 / 10 | |
| Credited headline in an industry news round-up | 3 / 10 | |
| Screenshot of a competitor ad to critique it | 5 / 10 | |
| Full news article reposted on your blog | 8 / 10 | |
| Google Images photo in a paid ad | 9 / 10 | |
| Popular song as background music in a promo video | 10 / 10 |
Source: Illustrative scenario by ZenWeb, scored against the four factors in section 13(2A) of the Copyright Act 1987. Not a legal opinion and not based on court data. Licence.
AI tools raise separate questions about who owns generated output; we cover that in is AI-generated content copyright-safe for marketing.
Quick Answer: Three exceptions in section 13(2) are useful day to day: parody, pastiche or caricature; artworks permanently on public display, such as murals and sculptures; and incidental inclusion, where a work appears in the background by chance. Each is narrow and does not cover a work you deliberately feature.
Music is the most common trap here, because a track playing in a café during your shoot may be argued as incidental, while added background music never is. Our music licence guide for ads and social videos explains the licences you actually need.
Quick Answer: You can reuse content you created, commissioned with a written assignment, or licensed for commercial use, plus short credited quotes for genuine review or news commentary. Search-engine images, popular music, other brands’ copy and customers’ posts all need permission or a licence before they go into ads or your website.
| Source | Status | What you need first |
|---|---|---|
| Google Images result | Avoid | Permission from the actual owner, in writing |
| Paid or free stock photo | Usually fine | A licence that allows commercial and ad use |
| Customer’s Instagram post | Ask first | Written consent covering ads, not just a repost |
| Trending song | Avoid in ads | Sync and master licences, or a platform’s commercial library |
| Font file | Check licence | A web or commercial licence covering your use |
| Supplier’s product description | Ask first | Reseller permission; rewriting is better for SEO anyway |
| Competitor’s website copy | Avoid | Nothing; write your own |
| Short news quote with credit | Usually fine | Title and author named; genuine commentary |
Source: ZenWeb practical guide based on the Copyright Act 1987 and day-to-day campaign production, as at October 2026. General guidance only. Licence.
Each row has its own detailed guide. See using Google Images in ads safely, what a stock photo licence costs, consent rules for customer photos in ads and font licensing for websites. If you work with creators, put the usage rights into the influencer contract rather than relying on a friendly DM.
Not sure what is on your current website?
When we rebuild a site, we replace unlicensed images, fonts and copied text with original or properly licensed assets. Explore our web design services →
Quick Answer: Owners can sue under section 37 for an injunction, damages, an account of profits, or statutory damages of up to RM25,000 per work, capped at RM500,000. Section 41 adds criminal offences for dealing in infringing copies and for removing electronic rights information, such as a photographer’s embedded credit data.
Most marketing disputes are civil: a demand letter, then a claim if it is not settled. The figures below come straight from the Act.
| Type | What triggers it | Exposure (first offence) |
|---|---|---|
| Civil claims by the owner (s37) | ||
| Injunction | Any infringing use | Court order to stop, often mid-campaign |
| Damages or account of profits | Any infringing use | Owner’s loss, or profits made from the use |
| Statutory damages | Owner’s election instead of damages | Up to RM25,000 per work; RM500,000 total |
| Criminal offences (s41) | ||
| Selling or distributing infringing copies | E.g. printed merchandise using pirated art | RM2,000 to RM20,000 per copy, up to 5 years’ jail, or both |
| Removing rights management information | E.g. stripping a photographer’s credit data | Up to RM250,000, up to 5 years’ jail, or both |
Source: ZenWeb summary of sections 36B, 37 and 41 of the Copyright Act 1987, MyIPO updated text incorporating the Copyright (Amendment) Act 2022, as at October 2026. Higher amounts apply to repeat offences. Licence.
The Copyright (Amendment) Act 2022 (Act A1645) also added an offence for sharing access to an online location of works without authority, aimed mainly at illegal streaming. It is the latest amendment shown on MyIPO’s published text as at October 2026; check for newer changes before relying on these figures.
Quick Answer: The same Act protects you. Under section 43H, a copyright owner can notify a network service provider about an infringing copy, and the provider must remove or disable access within 48 hours. Platforms also run their own reporting tools. Keep dated source files to prove you created the work first.
Practical steps when a rival lifts your website copy or product photos:
Our step-by-step guide to copyright takedown steps in Malaysia covers each route in detail. If the copycat is also using your brand name, check your position with a trademark search in Malaysia, because trademark law may give you stronger tools.
Quick Answer: Before launch, list every asset in the campaign, note its source, and attach proof of ownership, licence or consent. Replace anything without proof. The check takes an hour for a typical SME campaign and removes the most common causes of takedowns and demand letters.
Illustrative example. A Klang Valley bakery plans a Hari Raya campaign: a landing page, three Meta ads and a TikTok video. The draft uses a cake photo from Google Images, a trending song, a font from a free font site, and a customer’s Instagram photo. The audit replaces the cake photo with their own shoot, swaps the song for a track from the platform’s commercial library, confirms the font licence covers web use, and gets the customer’s written consent for ad use. Total extra cost: one afternoon of photography.
Use this checklist for every campaign and website update:
Original content is also simply better marketing. It ranks better than duplicated text and makes your brand recognisable, a point we make in building a personal brand as a marketer.
The Copyright Act 1987 is simple at its core: content belongs to whoever created it, protection is automatic, and fair dealing does not stretch to selling. For marketers, the safe path is original work, written assignments and saved licences. Use exceptions only for genuine review, criticism or news. MyIPO’s copyright awareness materials are a useful next read, and a lawyer should review any dispute or high-value campaign.
No. Under the Copyright Act 1987, protection is automatic once an original work is written down, recorded or otherwise put in material form. MyIPO offers a voluntary notification, which can help as evidence, but it is not required for protection.
Usually not. Credit alone is not permission. Fair dealing requires credit and a purpose such as criticism, review or news, and paid advertising is commercial. Get a licence or permission from the owner, or use your own photos.
No. Malaysia uses fair dealing under section 13 of the Copyright Act 1987. It lists purposes such as research, private study, criticism, review and news reporting, and weighs factors including whether the use is commercial.
Section 26(2) deems copyright in commissioned work to be transferred to the person who commissioned it, unless an agreement excludes or limits that transfer. Check the freelancer’s terms and get a written assignment.
Owners can claim an injunction, damages or profits, or statutory damages of up to RM25,000 per work, capped at RM500,000. Criminal penalties for dealing in infringing copies start at RM2,000 per copy, with jail of up to five years.
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